By Susan Parcheta
Julia
Cameron, bestselling author of ‘The Artist’s Way’ and ‘Vein of Gold,’ reveals
her authentic writer self in her newest work: The Creative Life – True Tales of Inspiration.
The cover
slogan, ‘Finding Your True North,’ seems misleading at first glance. As a
writer, and as one who cares deeply about one’s creative life – and, as one who
loves to write about the creative spirit in others – that’s what drew me into the
story. Finding your true north; what writer, or any person, doesn’t wish to
discover that? Finding your yellow brick road and following it, staying true to
it, following your North Star.
While I was
looking for new perspectives on Creative Spirit, what I found was affirmation
of what I’ve known, intuitively, all along. Writing, or any other act of
creativity, is all about relationships. As I read, I kept thinking how the book
is set up as a running diary of a year or so in the life of a famous writer – a
writer who inhabits New York’s Upper West Side, and who enjoys the company of
many collaborative friends.
Being a famous writer is something I’d aspired
to about as far back as Julia Cameron. I was so convinced about it, that after
college, and after three years of teaching (and discovering that wasn’t where
my soul wanted to be), I signed up for that illustrious correspondence school
by the same name.
I’m not sure
the school exists anymore. I still have the books; I’m tempted to get them out
again, to see how far I’ve come and maybe to project myself into polishing my
skills. You see, a local journalism job crept into my life. The hours of study,
hoping to become that famous writer of books and magazine articles, were set
aside for the local freelance/part-time/steady newspaper writing. I never
completed the course. I accepted my lot as a comfortably well-known writer in
my immediate geographic realm.
Why would
Cameron’s book remind me of all this? Party, I guess, it’s because I see myself
in this book. Whereas, with Cameron, ‘The Creative Life’ tells of a segment of
her life where she struggles to find her voice again – another book. I’m
thinking, “Where are my books? Why aren’t they written?”
After 30
years of writing, and more than 30 books and other creative works published,
Cameron walks us through this time period, wondering - it seems to me – how it will all turn out.
Will she have a book, another book? I’m wondering, will I ever have a book?
Through this
process of writing down the days, she coaxes us into her world and onto her
personal stage. We feel the days tumble off the calendar – the long, stormy,
rainy days and the supernova sunny days. We become privy to the friends passing
through, and – as if we were on the stage with her – to the conversations
shared with other creative spirits.
At times you
wonder, “What’s the point?” What’s the point of throwing open the door to your
life and all the daily nuances of weather, who’s visiting, what works are being
discussed, what concerts and theatre shows are being enjoyed…to the finer
points of restaurant menus and dinner table talk?
And, the
script goes on, as life spins by pell-mell. Even unto the U-turns Cameron
exhorts her students to confess among themselves as an exercise in her writing
classes. U-turns: “When did you quit an art form, and why?”
She helps them learn to be vulnerable, to be mutually supportive. It helps to surround ourselves, she says, with a cadre of kindred spirits and friends.
She helps them learn to be vulnerable, to be mutually supportive. It helps to surround ourselves, she says, with a cadre of kindred spirits and friends.
Creativity
thrives within such a framework of relationships. She engages her students in
the “popcorn” game of giving positive feedback. “I have explained to my
students the value of Believing Mirrors – people who see our power and
potential and reflect it back to us – but now they are experiencing it
firsthand.”
Julia
Cameron loves the synchronicity of things…of life.
Besides not needing anyone’s permission to be a writer, she loves to tell her students to trust. “I want to tell them to ignore the odds stacked against them and to believe they can have a vocation despite the odds.” “I will talk to them,” she says, “about the need to simply write, quoting from the film ‘Field of Dreams,’ ‘Build it and they will come.’”
Besides not needing anyone’s permission to be a writer, she loves to tell her students to trust. “I want to tell them to ignore the odds stacked against them and to believe they can have a vocation despite the odds.” “I will talk to them,” she says, “about the need to simply write, quoting from the film ‘Field of Dreams,’ ‘Build it and they will come.’”
As for
synchronicity, and movies, I chuckled reading a scene near the end. It’s a
rainy day like at book’s beginning. Cameron is enjoying watching the DVD of the
film ‘Julie and Julia’ with friends. I chuckle at the synchronicity for me,
because the DVD of ‘Julie and Julia’ is sitting on our living room table,
having arrived the other day in the mail. I’d bugged my husband several movies
ago to move it up on the list.
As I’m
reading about the friends’ discussion of Child’s cookbook Mastering the Art of French Cooking, Cameron is writing, “I tell
Martha about giving Child’s cookbook to my little sister, Lorrie, when she was
still a teenager. As I recall, every dish she made from it was delicious.” I’m smiling by then, because my Aunt Elaine,
who worked far away in Washington, D.C., gave me that book when I was a
teenager. I’m not sure every dish I made from it was delicious, but the
influence of the gift of that book was amazing.
My
conclusion is the same as Cameron’s. My true north is ultimately found in my
relationships with my family, friends and kindred spirits. Not to worry, my
books are waiting in the wings. Whereas, Cameron began her writing career at
age 18 and has spun along for 43 years, mine has been much more circuitous. I’ve been told that I’m a late bloomer. Come
to think of it, by my calculations, Julia Child was 49 in 1961, the year that
book was published, the year my aunt gave me my treasured copy.
Child died in
2004 at age 91; she published Kitchen
Wisdom in 2000 at age 88. I’m good
to go, I figure. And, so I say, is Julia Cameron. Child’s Mastering the Art of French Cooking is a colossal best seller
because of the movie, Julie and Julia…the
screenplay by Cameron’s friend Norah Ephron. No stranger to films, Cameron could well find
her Creative Life script living out
the days on stage or on screen.
The greatest nugget
to pick up in The Creative Life, for me, is being grateful for
the relationships that have nurtured my creativity. Cameron speaks
eloquently to gratitude for those relationships. Her diary is testament to new
colleagues encountered, as well as “for the graceful dance of old friends who
offer both support and guidance.” “May I do the same,” she promises. And, so,
may I.
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